let’s work this through. let’s work it out.
as workers not dreamers, businessmen and entrepreneurs
serving the economy, mark harvey and johannes blomqvist try to be productive
with their bodies. sacrificing themselves in order to create a sell-able,
compelling and entertaining product for their audience they posit themselves as
artists who provide a creative service.
politely choreographing their audience members, harvey
and blomqvist directed the systematic erection and removal of tables and chairs
as well as the mass creation of confetti via a method of punching holes from
paper programmes. jolly and carnivalesque, the entire evening had the feeling
of a deranged corporate team-building event and this was heightened by its
location within a conference room.
deftly manipulating the materiality of the office as
props, harvey and blomqvist work with tables, chairs, plastic cups, swipe
cards, hole-punches, piles of paper… the relentless gathering, meeting and
dispersal of colleagues was enacted, a quotidian waltz to be iterated within
organisations throughout the world ad
infinitum. there is the exchange of personal and professional information,
sometimes under duress. there is bone-chilling air-conditioning, there is
relentless fluorescent lighting. there are also exuberant and surprising
moments of poetry such as softly-falling snow wrested from paper confetti and
the sound of thousands of white plastic cups tumbling to the floor.
the daily demands and pressures of working as an
artist were made explicit and physical. a risky business, a sisyphean labour,
working under immense pressure to maintain a viable practice as a performance
artist is compared to repeatedly running backwards around a large pillar, trying
to crawl across a busy room with a rotund swede lying on your back, being
literally buried under a mountain of paper or remaining strong as a co-worker
stacks scores of chairs upon your back with packing tape. the only respite is a
well-earned coffee break courtesy of blomqvist who explains the etiquette of such
rituals in sweden. this ceremony starts off as cheery and then becomes manic.
a lot of exertion was involved. there were
sweat-soaked business shirts. harvey and blomqvist work very hard. they deserve
a round of applause.
mark harvey and johannes blomqvist
"i am a wee bit stumped"
february 18
new performance festival
aotea centre, auckland
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